


The Yamaha HS8 Studio Monitor comes equipped with a large 8" cone woofer and a 1" dome tweeter to give you the maximum bass output. If we look at two differently sized woofers, an 8” and 5”, the bass that you would get out of the 8" subwoofer will be far better than what you would get from the 5" one. A bigger woofer also means your studio monitor will be an overall larger size, so if space is an issue, you'll want to keep this in the back of your mind. Simply put, the bigger the woofer, the better it will produce bass sounds and vice versa. The Size of the SpeakerĪnother important consideration is the size of the speaker or the size of the woofers. In terms of which is better, it's completely a matter of personal preference. Active studio monitors are equipped with a built-in amp so you can use them straight out of the box without making any further purchases. Passive monitors aren't equipped with an amplifier, so you'd need to purchase an amplifier separately in order to power them up. There are two types of studio monitors, passive and active. High-end models will have more features and better specs but will set you back more. Figure out the nature of your recordings and mixes and decide what is important for you to have in a studio monitor before you buy. You can get a studio monitor for as low as under $300 up to thousands of dollars. But to determine your budget for studio monitors, you must be aware of the range of prices they're offered at. The most important consideration before going for any product is your budget. We've broken the basics for you below so you know what to look for when you hit the stores. There are some important things to keep in mind when you begin shopping for a studio monitor. They are essential for recording and mixing - regular speakers just won't cut it. In order to produce great music or record high-quality sounds or vocals, you need a studio monitor. What's so important about studio monitors? The answer is simple. One of the most important things is a single or a pair of studio monitors. There are several things you need in your home studio to get quality recordings. There was a time when the concept of a home recording wasn't really a thing, but people soon realized the potential of home studios. We've compiled a list of the best studio monitors around. There are a number of studio monitors available on the market today and since you have so many options to choose from, take a minute to do your research to decide which one is best for your needs.
#Surround sound studio monitors professional#
JBL Professional 306P MkII 2-Way Powered Studio Monitors 10 Best Studio Monitor Speakers On The Market.Learning to work a studio is as hard as learning to play an instrument, no matter how many 'instant gratification' apps try to make you believe otherwise.
#Surround sound studio monitors how to#
Your ears & brain need to learn how to match what you think you want with what you're actually getting. On the other hand, if someone handed you the best gear & superb monitoring as a total beginner, you still wouldn't yet be able to guarantee results. Never say you can't use sh*te equipment & make something half decent out of it. We made about 15 demo tracks on that, and got a record deal out of them. Two-man band, neither of us had ever recorded anything before that. The monitoring was an old HH PA amp & one of a pair of PA speakers. 4-track Teac reel-to-reel & a few synths. I got my first studio setup in 1980 - primitive to say the least. Most user listening environments are stereo too, so stay away from 5.1.Īpart from that - go for it, knock yourself out. Most audio/Midi DAWs are designed primarily for stereo, though some are 5.1 capable. You only need stereo so to save distraction you may want to completely disconnect the others. Next issue is that, unless you're mixing for movies, 5.1 is no use to you - if anything, it's a distraction. The real down-side of mixing on 'non-standard' equipment is you'll have to carry mixes around from system to system - hi-fi, phone, car - anywhere you can listen to it in a different environment - to see if what you mixed is portable, or only sounds good on one system, the one you mixed it on. As a beginner, you can use whatever you can lay your hands on.Īs you get more competent, you will start to see the failings in your structure & be more interested & knowledgeable in more specific hardware.
